Vallejo Squidmar Color Mega Set 74302 is a miniature paint set with 72 bottles of 18ml. paint, Sona miniatures and QR-code access to tutorials. It includes all 72 Squidmar Color paints, five miniatures and a synthetic brush.
Squidmar Color was developed by Vallejo with Emil Nyström and Lukas Holmström of Squidmar Miniatures. Its colour system centres on strong contrast, vibrant hues and intuitive mixing. The new range features colours and formulations developed specifically for it. The set provides a coherent palette for wargaming miniatures, role-playing characters and display pieces, with opportunities to explore different techniques as your painting develops.
The included figures come from the Sona fantasy universe. Atle, Prince Tharkos, Severin the Vigilant and Kripdhûn are the four HIPS miniatures that provide painting subjects. HIPS is the plastic used to produce those four figures. You can connect the palette to a complete project, seeing how colours interact on faces, clothing and equipment rather than relying entirely on separate colour tests.
Tutorials are accessible through a QR code. Use that guidance to choose an approach and apply the paints to a miniature. If you are starting the hobby, work on one figure before beginning several projects at once. Experienced painters can use a tutorial to explore colour combinations, then translate the same relationships into a different character or an existing army scheme.
The palette comprises 48 acrylic colours, seven metallics, five fluorescents and twelve inks. Acrylic colours support base coats, shadows, highlights, transitions and glazes. Metallics provide reflective metal surfaces. Fluorescent colours give energy and magical details striking accents, while inks can adjust the colour impression of existing layers or metallic parts. Choose the paint type that suits the intended effect on each surface of the model.
Alongside the four HIPS figures, the set contains Brok Moonturned, a fifth exclusive large-format miniature. A synthetic Squidmar brush is also included. A larger figure offers room to explore extended transitions and material differences. On the smaller figures, apply the same principles in more concentrated areas. The tutorials are intended to develop techniques and painting skills using the colours supplied in the Mega Set.
How do you use this paint set? Start with a primed miniature and choose one small feature to test the palette. Shake each bottle thoroughly and place the required colours on your palette. Decide on a base colour, a shadow and a highlight first. Make intermediate mixes before painting the whole figure. This shows how the hues relate on your undercoat and how much contrast your project needs.
Work from larger forms towards smaller accents. A broad base coat establishes the main colour of the feature. Add shadows in less illuminated areas and highlights on projecting parts. Let the layers dry, then reduce the area covered by each step as you move towards the light. This approach helps explain the miniature’s volume and prevents every detail from receiving the same amount of emphasis.
For smoother transitions, mix an intermediate shade between two palette colours. Test that step beside the existing paint. A glaze uses a thin transparent layer instead, adjusting a transition or the colour impression of a surface. Keep little paint on the brush and avoid pools. These methods let you use a focused set in several ways without needing a separate bottle for every intermediate step.
Choose the viewing direction and light source before refining the miniature. A pleasing palette transition also needs to make sense on the model’s sculpted form. Place the brightest accents deliberately. Occasionally view the figure from gaming distance to check that its main shape remains clear. On a display piece, return afterwards to the smaller details and more subtle transitions that reward closer inspection.
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